Embracing fiery red and rich furs for their fall/winter 2011-2012 collection, Dolce & Gabbana infused their prized Italian machismo with a youthful zest. Shaking up their usual casting with a variety of faces, the designing duo put on display a myriad of influences. From the classic musical styling of Bryan Ferry to the label’s ongoing fascination with the working man or a spunky take on tomorrow’s scholar, Dolce & Gabbana impressed with velvet, color and an endless amount of charm. Rounding out the collection with pinstripes, braces and wingtips, the label put a cool new spin on the marriage of old and new style motifs.
fur jackets.... |
Tim Blanks review
The singer's taste for West End girls is well-documented—the beauteous Amanda Sheppard was at his side today. The clothes on the runway, though, were better suited to East End boys. Low-rise, multi-pocketed pants were slung off skinny suspenders. One model sported Freddy Krueger stripes and a trilby casually tossed back on his head. There was a spiffy edge to a checked, fitted, double-breasted jacket, while cropped, double-vented jackets and those pegged, low-slung pants created a boxy, bubble-butted silhouette that added beef to the already buff models. Add that to the chunky, bovver-ready footwear and these boys were a bit of rough fighters, not lovers. But wasn't Bryan Ferry famously a slave to love?
Domenico and Stefano threw the lovers a bone with a couple of pavé-sequined jackets in pink and black, then they closed the show with their own quintessential march past of black velvet jackets and distressed Dolce denims. Call it glam for a brash, butch new age. As for Ferry's more rarified brand of contemporary glamour? That remains to be explored another day.
source: Style.com/
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